Friday, December 31, 2010

A Mighty Wiiiinnnnnnddddd

There's a wind a blowin'! It's blowin' through the land! Brandon and Tyler recently watched 2003's "A Mighty Wind" directed by Christopher Guest and boy what a flick! This was Tyler's first viewing of the acclaimed "mockumentary" about folk music but Brandon's fifth.

Words from Tyler: Parker Posey's so cute, I want to give a big old hug..

I (Brandon) first watched this film ohh about 3 years ago with my dad, a lover of folk music and Christopher Guest films. With this viewing my feelings were mixed about the film, I really had forgotten about it until we watched "Waiting for Guffman" and Tyler mentioned that he had never seen "A Mighty Wind." In the end my memories of the film were much better than the film itself, and I was left after an hour-and-a-half feeling unfulfilled like that time I ran up to a parked ice cream truck only to discover the owner was out of ice cream. I still laughed in a few places but overall the moment was very different from that first or second viewing of the movie and I will probably delete it instantly from my hard drive.





hey this is tyler. i hate fucking folk music. it's stupid. i made a LIST of adjectives about how I feel about Folk Music. Here it is. a distraction, hokey, insipid, irrelevant, unimportant, mind-boggling, silly, wasted.
with those kinds of words in mind, I feel like I connected with the film on the basis that it was practically making fun of folk music all the time. Thinking this way allowed me to finish the film without feeling some sort of lonely emptiness. Second, the casting was, as can be expected from a Christopher Guest movie, really good and the same as always. Even though he uses the same damn people all the damn time, it somehow seems different each movie. It's like they're good actors. Parker Posey is soooooooo damn cute. I think she'd play a good redneck, and I hope to see a movie starring her as the main cute redneck. She sort of redeems her accent category for me. Additionally, Jane Lynch (who I vaguely recognize as being from some... popular television series, not sure what it is though) was really really cool as the sexually charismatic former porn star colour magick woman who was married to some weird OCD weakling man. I feel like that's true. Third, folk music is nostalgia about nostalgia about nostalgia. That is why it is stupid. The reason it has not maintained continuity and required reviving is that people eventually realized that American folk music is (see my list of adjectives). Fourth, the movie's eponymous song "A Mighty Wind" was really about US imperialism. It concerns the spreading of "democracy" to other countries via military action. The song is also stupid because it says that a "star" makes the "wind." I don't know if the writer knew that stars in fact do not have anything to do with wind, except solar wind, which isn't real wind anyway. I don't feel like the writer (maybe Christopher Guest) took meteorology seriously enough in the film (unlike in Twister). Speaking of which, this is rather ironic, Brandon and I watched the film starting at 6:50 AM (that's really early for me). The reason we started so early was that there was an actual "might wind" to our south. My sister called and woke me up to protect me from the tornado, but it never actually came and destroyed anything or threatened our lives. However, this movie was rather like a tornado for me. I feel like I will be recovering for a couple of days. Also, Aram left a couple of days ago, so I didn't really feel like watching a good movie, because I'm in a "bad mood." This was sort of an ideal situation, because I'm pretty sure I'm satisfied with hating this movie, so it's not a big loss for me. The transwoman at the end of the movie was really nice. I hate folk music, but liked that this movie also sort of hated folk music. Bye.


Wednesday, November 10, 2010

man you guys
i think Adventure Sisters is a really good movie show
but, really, why is pedophilia a recurring joke in the show?

Thursday, November 4, 2010

cremaster part deux

i had a dream once where i waz in a room similar to that room where the man and woman in western attire were dancing. except in my dream the room wazn't spinning, nor was there a saddle suspended from the ceiling. in all i liked the movie, it reminded me of my dreamz. generally speaking i'm attracted to moviez that have good use of space, my favorite onez being moviez that involve very few camera movementz and lots of brightly colored roomz. for cremaster 2 i really enjoyed any of the scenez with beez and the spinning room, suspended saddle, dancing couple scene which i guess tyler hated, don't tell him this but i've slowly been poisoning his food with pine-sol for the past month. i also really enjoyed the scene with harry houdini and baby fay lafoe, i haven't come across many filmz that mix surrealistic-artsy imagez and scenez with historical characterz but i sure do enjoy it! keep up the good work barney!

love,

b

Wednesday, November 3, 2010

Matthew Barney's Cremaster 2 (Tyler's monologue draft)

Well, you guys, I'd have to say I really liked this movie. There were some parts that were lame: the cowboy dancing, the bull riding, the car part. However, there is a lot going on in the movie, and, its dawdling slowness aside, something for the whole family: copulation, bees, plastic corsets, possible evil villains, Harry Houdini, reflective shallow water photography reflecting mountains and the sunset, mediocre CG. One review I read (I think the txt file from freakyflicks) said that it was a "Gothic Western." Be not fooled by that misappropriated generic attribution. It's mostly like a dreamscape (I think Brandon said that?) something that you watch with the swiftness and texture of real living. It doesn't necessarily have a generic quality to it. Just because there are cowboys in one part doesn't necessarily make it a Western, and what kind of Western? I suppose that the surrounding media (I assume there was surrounding media wherever it was first shown?) would offer some help in understanding the film. However, the credits are all I really want to focus on right now.


Cast (in credits order)
...
...
Gary Gilmore
...
Baby Fay La Foe
...
Bessie Gilmore
...
Frank Gilmore
...
Nicole Baker
...
Max Jensen
...
...
...
Johnny Cash (voice)
...
Two-step Dancer
...
Two-step Dancer
...
French Bulldog
...
Fay La Foe (voice)
...
Canadian Mountie for Metamorphosis
...
Canadian Mountie for Metamorphosis
...
Mormon Elder
...
Mounted Sheriff
...
Mounted Sheriff
...
Correctional Officer
...
Deputy Sheriff
...
Deputy Sheriff
...
Deputy Sheriff
...
Medic
...
Medic
...
Canadian Mountie at Expo Entrance (as TJ Davey)
...
Canadian Mountie at Expo Entrance (as Matt Ryle)
...
Drunken Expo Guest (as Gabe Bartalos)
...
Drunken Expo Guest / Masterpoint voiceover
...
Exposition Custodian


What about Johnny Cash? Was he the shooter? Did he 'shoot a man just to watch him die,' so to speak?
I suppose the most dreamy quality of the film is its focus on environment and not on character, people are replaceable and it is solely focused on haunting genius loci, the Mormon Tabernacle Choir, &c.
Wow! And Baby Fay La Foe was Anonymous? Amazing?


Love,
tyler callich

Cremaster 2 (Matthew Barney)

I watched this movie several weeks after watching Cremaster 1. I'm not a movie critic or analyst, but personally I wouldn't have realized the films were by the same person. While in Cremaster 1 everything felt very minimalist and quiet, Cremaster 2 features vistas, a larger pool of actors, and measurably more dialogue.

I found the beginning of this movie a lot more interesting than the latter half. The use of bees and metal music were very appealing to me. While the nudity and copulation were vaguely intriguing, I didn't find they adding anything to the experience for me. If it had been nudity alone against the bees I think it would have had the same effect on me.

While the first part of Cremaster 2 was more enjoyable to me than the last half, I did enjoy the very end. The recurrence of Baby Fay Le Foe was lovely, as I had enjoyed her presence in the first part of the movie as well. Between the car showroom and the sanctuary/organ room of the Morman Tabernacle Choir, I also enjoyed the architecture in the movie a lot.

Cremaster 1 felt very claustrophobic inside the Goodyear blimps, and even within the stadium since it seemed very insular. I really appreciated that Cremaster 2 balanced interior architecture with vistas and open sky. It made the movie more interesting and felt more thoughtful.

The cowboys, Western dancing, and semi-Country music were not appealing to me. As they don't appeal to me even outside this film, I am not surprised, but I felt they were a bothersome interruption in an otherwise interesting, if bewildering, film.